Published Dec 19, 2020
What would the Sony a7S III look like if it were a cinema camera? Spoiler: it would look like the Sony FX6. This week, Jordan reviews the FX6 to see how it compares with the a7S III. Which one would he pick? You might be surprised.
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Fujifilm’s latest X-S10 is a likeable mirrorless camera with some of the company’s best tech packed inside, and it doesn’t cost the earth. We think it could be a good fit for photographers of all kinds – find out more in our full review.
The Nikon Z6 II builds on the well-rounded stills and video features of its predecessor, with the addition of dual processors, two card slots and the option to add a full battery grip. It’s a subtle evolution but enough to keep the $2000 Z model competitive.
The SL2-S marks Leica’s entry into the stills/video hybrid market. At this point it’s very much a cheaper SL2, though its future looks bright, as you’ll learn in our initial review.
As a neat little diffuser that has a gigantic impact on the quality of the light from a hotshoe flash unit, the Hähnel Lantern creates a dramatically wide spread of soft illumination.
Monogram’s Creative Console allows you to build out a customized set of physical controls to speed up your editing workflow. Find out if it’ll make your life easier in our detailed review.